16 Biographies to Devour During Women’s History Month (and Beyond)

Goodreads Description: “When Russia invaded Ukraine on February 24, 2022, Victoria Amelina was busy writing a novel, taking part in the country’s literary scene, and parenting her son. Now she became someone new: a war crimes researcher and the chronicler of extraordinary women like herself who joined the resistance. These heroines include Evgenia, a prominent lawyer turned soldier, Oleksandra, who documented tens of thousands of war crimes and won a Nobel Peace Prize in 2022, and Yulia, a librarian who helped uncover the abduction and murder of a children’s book author.

Everyone in Ukraine knew that Amelina was documenting the war. She photographed the ruins of schools and cultural centers; she recorded the testimonies of survivors and eyewitnesses to atrocities. And she slowly turned back into a storyteller, writing what would become this book.

On the evening of June 27th, 2023, Amelina and three international writers stopped for dinner in the embattled Donetsk region. When a Russian cruise missile hit the restaurant, Amelina suffered grievous head injuries, and lost consciousness. She died on July 1st. She was thirty-seven. She left behind an incredible account of the ravages of war and the cost of resistance. Honest, intimate, and wry, this book will be celebrated as a classic.”

Goodreads Description: “‘Could you write what you write if you weren’t so tiny, Joan?’ —Eve Babitz, in a letter to Joan Didion, 1972

Eve Babitz died on December 17, 2021. Found in a closet in the back of an apartment full of wrack, ruin, and filth was a stack of boxes packed by her mother decades before. These boxes were pristine, the seals of duct tape unbroken. journals, photos, scrapbooks, manuscripts, letters. [A look] inside a lost world. This world turned for a certain number of years in the late sixties and early seventies, and was centered on a two-story house rented by Joan Didion and her husband, writer John Gregory Dunne, in a down-at-heel section of Hollywood. 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock n’ rollers, drug trash. 7406 Franklin Avenue was the making of one great American Joan Didion, cool and reserved behind her oversized sunglasses and storied marriage, a union as tortured as it was enduring. 7406 Franklin Avenue was the breaking and then the remaking—and thus the true making—of another great American Eve Babitz, goddaughter of Igor Stravinsky, nude of Marcel Duchamp, consort of Jim Morrison (among many, many others), who burned so hot she finally almost burned herself alive. The two formed a complicated a friendship that went bad, amity turning to enmity; a friendship that was as rare as true love, as rare as true hate. Didion, in spite of her confessional style, her widespread fame, is so little known or understood. She’s remained opaque, elusive. Until now. With deftness and skill, journalist Lili Anolik uses Babitz—Babitz’s brilliance of observation, Babitz’s incisive intelligence, and, most of all, Babitz’s diary-like letters—as the key to unlocking the mighty and mysterious Didion.”

Goodreads Description: “An intimate and expansive look at Judy Blume’s life, work, and cultural impact, focusing on her most iconic—and controversial—young adult novels, from Are You There God? It’s Me, Margaret to Blubber.

Everyone knows Judy Blume.

Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century?

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence.

Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever.”

Goodreads Description: “A comprehensive and engaging oral history of the decade that defined the feminist movement, including interviews with living icons and unsung heroes—from former Newsweek reporter and author of the “powerful and moving” (New York Times) Witness to the Revolution.

For lovers of both Barbie and Gloria Steinem, The Movement is the first oral history of the decade that built the modern feminist movement. Through the captivating individual voices of the people who lived it, The Movement tells the intimate inside story of what it felt like to be at the forefront of the modern feminist crusade, when women rejected thousands of years of custom and demanded the freedom to be who they wanted and needed to be.

This engaging history traces women’s awakening, organizing, and agitating between the years of 1963 and 1973, when a decentralized collection of people and events coalesced to create a spontaneous combustion. From Betty Friedan’s The Feminine Mystique, to the underground abortion network the Janes, to Shirley Chisolm’s presidential campaign and Billie Jean King’s 1973 battle of the sexes, Bingham artfully weaves together the fragments of that explosion person by person, bringing to life the emotions of this personal, cultural, and political revolution. Artists and politicians, athletes and lawyers, Black and white, The Movement brings readers into the rooms where these women insisted on being treated as first class citizens, and in the process, changed the fabric of American life.” 

Goodreads Description: “The extraordinary true story of four women pioneers in physics during World War II and their daring escape out of Nazi Germany.

In the 1930s, Germany was a hotbed of scientific thought. But after the Nazis took power, Jewish and female citizens were forced out of their academic positions. Hedwig Kohn, Lise Meitner, Hertha Sponer, and Hildegard Stücklen were eminent in their fields, but they had no choice but to flee due to their Jewish ancestry or anti-Nazi sentiments.

Their harrowing journey out of Germany became a life-and-death situation that required Herculean efforts of friends and other prominent scientists. Lise fled to Sweden, where she made a groundbreaking discovery in nuclear physics, and the others fled to the United States, where they brought advanced physics to American universities. No matter their destination, each woman revolutionized the field of physics when all odds were stacked against them, galvanizing young women to do the same.

Well-researched and written with cinematic prose, Sisters in Science brings these trailblazing women to life and shows us how sisterhood and scientific curiosity can transcend borders and persist—flourish, even—in the face of seemingly insurmountable odds.”

Goodreads Description: “It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday synonymous with supplying secretaries—always properly attired in heels, ladylike hats, and white gloves—to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 120 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk. And Gibbs graduates did just that, paving the way for 21st-century women to succeed in any profession they choose.

Katharine Gibbs was one her own success stories. She started her school when, as a 46-year-old widow, she was left near-broke with two young sons. The school taught typing and stenography but Gibbs also hired accomplished professors from elite colleges to teach academic subjects—it was a well-rounded education that produced early feminists ready to tackle the sexism of their era. ‘Expect great things!’ was her motto and her philosophy. Within a decade she’d opened schools in three elegant locations. With nostalgic period photographs throughout, Expect Great Things! takes us back to Katie Gibbs’s life and tells the stories of the women she influenced. We meet Gibbs graduates who worked for the Duke and Duchess of Windsor, Howard Hughes, Walt Disney, Marilyn Monroe. Others forged pathfinding roles as an Emmy-winning television star, a women’s rights advisor to four U.S. presidents, a writer of Wonder Woman comic books, the head of the Women’s Marines, a best-selling young adult author, and a U.S. Ambassador.

For readers of The Barbizon and Come Fly the World, Expect Great Things! reveals the seismic impact the Katharine Gibbs school had on the American workplace—and on women’s opportunities today.”

Goodreads Description: “From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves.

Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike.

How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge’s book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged laborer and a feminist icon.”

Goodreads Description: “After Elizabeth Blackwell became the first woman to graduate from medical school, more women demanded a chance to study medicine. Barred entrance to universities like Harvard, women built their own first-rate medical schools and hospitals. Their success spurred a chilling backlash from elite, white male physicians who were obsessed with eugenics and the propagation of the white race. Distorting Darwin’s evolution theory, these haughty physicians proclaimed in bestselling books that women should never be allowed to attend college or enter a profession because their menstrual cycles made them perpetually sick. Motherhood was their constitution and duty.

Into the midst of this turmoil marched tiny, dynamic Mary Putnam Jacobi, daughter of New York publisher George Palmer Putnam and the first woman to be accepted into the world-renowned Sorbonne medical school in Paris. As one of the best-educated doctors in the world, she returned to New York for the fight of her life. Aided by other prominent women physicians and suffragists, Jacobi conducted the first-ever data-backed, scientific research on women’s reproductive biology. The results of her studies shook the foundations of medical science and higher education. Full of larger than life characters and cinematically written, The Cure for Women documents the birth of a sexist science still haunting us today as the fight for control of women’s bodies and lives continues.”

Goodreads Description: “Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was of course one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII.

As members of the OSS, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Working in the European theater, across enemy lines in occupied China, and in Washington, D.C., Betty, Zuzka, Jane, and Marlene forged letters and “official” military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs, and even developed rumors for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.

In Propaganda Girls, bestselling author Lisa Rogak brings to vivid life the incredible true story of four unsung heroes, whose spellbinding achievements would change the course of history.”

Goodreads Description: “Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more.

But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work. Every character in Northanger Abbey who isn’t a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase “pride and prejudice” came from Frances Burney’s second novel Cecilia. The women that populated Jane Austen’s bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn’t Romney—despite her training—ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon?

Jane Austen’s Bookshelf investigates the disappearance of Austen’s heroes—women writers who were erased from the Western canon—to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth—and recounts Romney’s experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen’s. Romney collects the once-famed works of these forgotten writers, physically recreating Austen’s bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen’s Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.”

Goodreads Description: “Set against the glittering backdrop of Los Angeles during the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history.

Before Constance Wu, Sandra Oh, Awkwafina, or Lucy Liu, there was Anna May Wong. In her time, she was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family’s laundry business in Los Angeles, Anna May Wong rose to stardom in Douglas Fairbanks’s blockbuster The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest.

Anna May starred in acclaimed films in Berlin, Paris, and London; she dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry’s blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film.

Filled with stories of capricious directors and admiring costars, glamorous parties and far-flung love affairs, Not Your China Doll showcases the vibrant, radical life of a groundbreaking artist.”

Goodreads Description: “The history of Egyptology is often told as yet one more grand narrative of powerful men striving to seize the day and the precious artifacts for their competing homelands. But that is only half of the story. During the so-called Golden Age of Exploration, there were women working and exploring before Howard Carter discovered the tomb of King Tut. Before men even conceived of claiming the story for themselves, women were working in Egypt to lay the groundwork for all future exploration.

In Women in the Valley of the Kings: The Untold Story of Women Egyptologists in the Gilded Age, Kathleen Sheppard brings the untold stories of these women back into this narrative. Sheppard begins with some of the earliest European women who ventured to Egypt as travelers: Amelia Edwards, Jenny Lane, and Marianne Brocklehurst. Their travelogues, diaries and maps chronicled a new world for the curious. In the vast desert, Maggie Benson, the first woman granted permission to excavate in Egypt, met Nettie Gourlay, the woman who became her lifelong companion. They battled issues of oppression and exclusion and, ultimately, are credited with excavating the Temple of Mut.

As each woman scored a success in the desert, she set up the women who came later for their own struggles and successes. Emma Andrews’ success as a patron and archaeologist helped to pave the way for Margaret Murray to teach. Margaret’s work in the university led to the artists Amice Calverley’s and Myrtle Broome’s ability to work on site at Abydos, creating brilliant reproductions of tomb art, and to Kate Bradbury’s and Caroline Ransom’s leadership in critical Egyptological institutions. Women in the Valley of the Kings upends the grand male narrative of Egyptian exploration and shows how a group of courageous women charted unknown territory and changed the field of Egyptology forever.”

Goodreads Description: “‘Even now, nearly a century after her death, Marie Curie remains the only female scientist most people can name,’ writes Dava Sobel at the opening of her shining portrait of the sole Nobel laureate decorated in two separate fields of science—Physics in 1903 with her husband Pierre and Chemistry by herself in 1911. And yet, Sobel makes clear, as brilliant and creative as she was in the laboratory, Marie Curie was equally passionate outside it. Grieving Pierre’s untimely death in 1906, she took his place as professor of physics at the Sorbonne; devotedly raised two brilliant daughters; drove a van she outfitted with x-ray equipment to the front lines of World War I; befriended Albert Einstein and other luminaries of twentieth-century physics; won support from two U.S. presidents; and inspired generations of young women the world over to pursue science as a way of life.

As Sobel did so memorably in her portrait of Galileo through the prism of his daughter, she approaches Marie Curie from a unique angle, narrating her remarkable life of discovery and fame alongside the women who became her legacy—from France’s Marguerite Perey, who discovered the element francium, and Norway’s Ellen Gleditsch, to Mme. Curie’s elder daughter, Irène, winner of the 1935 Nobel Prize in Chemistry. For decades the only woman in the room at international scientific gatherings that probed new theories about the interior of the atom, Marie Curie traveled far and wide, despite constant illness, to share the secrets of radioactivity, a term she coined. Her two triumphant tours of the United States won her admirers for her modesty even as she was mobbed at every stop; her daughters, in Ève’s later recollection, “discovered all at once what the retiring woman with whom they had always lived meant to the world.”

With the consummate skill that made bestsellers of Longitude and Galileo’s Daughter, and the appreciation for women in science at the heart of her most recent The Glass Universe, Dava Sobel has crafted a radiant biography and a masterpiece of storytelling, illuminating the life and enduring influence of one of the most consequential figures of our time.”

Goodreads Description: “The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.

These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world.

Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.”

Goodreads Description: “From gender adviser to the UN Catherine Joy White comes This Thread of Gold, a lyrical celebration of the history of Black women who challenged stereotypes through film, politics, activism, and beyond.

This immersive and empowering read blends history, reporting, and personal stories to weave a gorgeous tapestry from the resilience of Black women. As White writes, ‘Black women are not victims. Black women are alchemists, spinning gold from a life of hardship… This book is dedicated solely to Black women surviving, thriving, and glowing.’

White’s book features revolutionary women from across time and space, liberating them from reductive stereotypes like ‘the strong Black woman,’ and allowing space for emotional nuance, individual motivation, and richness of expression. White offers fresh insights into the work of Beyoncé and Nina Simone, Shirley Chisholm and Meghan Markle, as well as the work of those who resisted in secret—in kitchens, in churches, and through trusted networks. By weaving these women together, White reveals new ways to understand Black womanhood and she is sure to inspire new generations of readers.”

Goodreads Description: “In the 1970s, a new wave of feminism was sweeping America. But in the boys’ club of banking and finance, women were still infantilized—no credit without a male cosigner, and their income was dismissed as unreliable. If bankers weren’t going to accommodate women, then women had to take control of their own futures. In 1978 in Denver, Colorado, the opening of the Women’s Bank changed everything.

It was helmed by bank officer B. LaRae Orullian and the brainchild of whip-smart entrepreneur Carol Green, who forged a groundbreaking path with their headstrong colleagues, among Judi Foster, investment research whiz; Edna Mosley, unyielding civil rights advocate with the NAACP; Mary Roebling, renowned financial executive; Betty Freedman, a socialite and fundraiser; and Gail Schoettler, a formidable Denver mover and shaker for social justice. Coming together and facing their own unique road to revolution, they built the most successful female-run bank in the nation. It wasn’t easy.

Give Her Credit follows the challenges, uphill battles, and achievements of some of the enterprising women of Denver who broke boundaries, inspired millions, and afforded opportunities for every marginalized citizen in the country. It’s about time their untold story was told.”