Our 25th Anniversary Issue Is Here

To celebrate, we’ve put together a list of the 25 most important houses of the past 25 years, and we’re also looking ahead with our annual list of emerging designers shaping the future.

I can’t predict the future. But for 25 years, the people featured in Dwell have. Whether they were resurrecting 20th-century modernism at the close of the McMansion 1990s, championing contemporary prefabrication, or proposing new floor plans, new materials, and new design for new household configurations, they all presented possibilities for what a home can and should be. There’s no “Dwell Style”—and I can’t stand any kind of design orthodoxy—though since we launched our first issue in October 2000, many people have found commonalities in the work that we cover and come up with ideas about what a definitive “Dwell Home” might be. (Does it have to have a flat roof? No.) To celebrate our birthday, we asked former editors and homeowners inspired by the magazine for their interpretation of a Dwell Home. It turns out it’s in the eye of the beholder.

Photo: Brian W. Ferry

We also looked back at how residential architecture has overlapped with contemporary culture in a feature that we cheekily named “The 25 Most Important Homes of the Past 25 Years.” Our editors put their heads together and nominated homes that we think changed the course of home design. Is the list definitive? Definitely not. But that’s the point. We hope it encourages the debate that the topic deserves.

Wall House by Anupama Kundoo

Wall House by Anupama Kundoo

Photo by Javier Callejas, courtesy Anupama Kundoo Architects

Finally, Dwell is a magazine fundamentally about the future, so it’s appropriate that our anniversary issue includes The Dwell 24, our annual survey of the best emerging designers out there. They represent design from all over the world, from Wknd Lab in Seoul—its copper-and-enamel Beomjong sconce is the most humbly striking fixture I’ve seen in a long time—to Shed in Surat, India, whose baroque tabletop “carousels” have an engrossing sense of narrative, craft, and play. Also, don’t miss New Yorker Kevin Quale’s beautifully lewd ceramics.

James Cherry takes a sculptural approach to his lighting by using upcycled and found elements and transforming them into high design.

One of this year’s Dwell 24, James Cherry takes a sculptural approach to his lighting by using upcycled and found elements and transforming them into high design.

Photos courtesy James Cherry

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