Architects Jess Hinshaw and Andrew Fisk specialize in sensitive modernizations of old New York City structures: see, for instance, The Sentimental Minimalist, a tour of Jess’s own Brooklyn townhouse, and Andrea’s own Late-19th Century Quarters in Pinks, Greens, and Grays. The two run Shapeless Studio and one of the many designs of theirs that we’ve featured is A Kitchen that Celebrates Life’s Daily Details.
Set in an 1867 Italianate brownstone in Brooklyn’s Clinton Hill, the project belongs to a young family of three who opted to remodel their two floors in stages: upstairs, containing the living quarters, was tackled first, followed a few years later by the bedrooms on the garden level. The couple—he works in the food business; she’s a landscape architect—wanted to gently update their rooms while, in her words, “creating a real connection to the outdoors, so that even when the house is closed, you never feel cooped up.”
Now that both floors are finished, we’re returning to take a full tour (scroll to the end for some Before shots). Note that this is a rare renovation that began and ended as a love fest: the owners found Shapeless Studio by admiring their work on Remodelista. And though they themselves prefer to remain anonymous, they asked that we pass on their praises for all involved, including contractor Pini Lipman and his team at Sunshine Renovations Management: “We could go on and on about the ways they showed up and went above and beyond, but we will just say that they are consummate professionals and really good people.” Adds Andrea, “In addition to being talented, honest, and kind, they are amazing at working within the irregularity of old townhouses.”
Photography by Hagan Hinshaw, courtesy of Shapeless Studio (@shapelessstudio).
The Parlor Floor
Above: The architects sanded and refinished the house’s original parquet floors and preserved the plasterwork. Built-in custom cabinets line one wall. The Mags Soft Sofa and ottoman are by Hay and the pendant light is the Herman Miller Nelson Apple Bubble Pendant.
Above: The Shapeless Studio team kept the existing flow of rooms but widened the passageways and introduced flush thresholds to integrate the spaces.
Above: The kitchen is set in a 2007 extension built by the previous owner that provided space but lacked inspiration. “The cabinets were awkwardly placed in small sections, which made the room feel chaotic and chopped up. We re-organized the setup to maximize storage and help it feel bright and calm,” says Andrea. It’s now anchored by a white oak island with dark cabinets and soapstone counters designed to “recede into the background.”
The cabinets are painted in Midnight and the walls are Classic Gray (“an ultra-light gray that can also function as an off-white”), from Benjamin Moore. The Afteroom stools with seats of painted ash are from Audo and the ceiling light, one of many contemporary fixtures introduced throughout, is Audo’s TR Bulb Linear Suspension. For more details, see Steal This Look. 
Above: The breakfast nook is set in a niche that echoes an archway at the entry. The trestle table is a Shapeless Studio design made by Armada and the light is the Eave Pendant by In Common With. The custom white oak storage bench and other built-ins are the work of ABC Kitchen, now a division of Sunshine Renovations, and another team the owners and architects highly recommend.
Note the floor: it’s tiled in Thin Dust Bejmat Zellige from Tiles of Ezra in a basketweave pattern inspired by the original parquet floor. “While soft and neutral in color, the tiles are rich in texture and pattern,” notes Andrea. “Our sensibility is generally more modern, but we also wanted to honor the building’s historic details,” add the owners. “The tiles, arch, and soapstone are all thoughtful ways Shapeless integrated the kitchen into the rest of the parlor floor.”
Above: A deck serves as the outdoor gathering spot and leads to the garden. The architects raised the height of the doors to match the third window and fill the room with natural light.
Downstairs: The Garden Level
Above: The main bedroom opens to the garden, which, says Jess, helped supply the palette of earthy, moody tones.
The remodel was done by the same team in two stages: upstairs during Covid lockdown and downstairs after the family had fully assessed their needs—and saved up. During the height of both construction periods, they lived elsewhere.
Above: The custom headboard is upholstered in Schwarzwald 003, an Italian linen from Dedar Milano that lends the space what the landscape-architect-in-residence calls “a treehouse feel.” The bedside lights are In Common With’s Spot Surface-Mount Sconce. The curtain masks an original closet.
Above: The wall of white oak millwork includes a built-in desk and closets (one is actually the entry) that “make the room feel more intimate and as if you’re enveloped in warmth.” says Jess. We like what the architects describe as “the exaggerated scale” of the 1970-style door pulls.
Above: The oak built-ins continue in the main bathroom as a variation on a theme. Heath 2-by-6-inch Classic Field Tiles serve as counter, backsplash, and other detailing: they’re in a discontinued color called Caramel that’s similar to Heath’s Antique Green.
Above: The architects gracefully integrated a washing machine and dryer. The Leggy Crossed Wall Hooks are from ceramicist Virginia Sin’s studio, Sin—they’re made of stoneware and are intended for maximizing tight spaces.
Above: The kid’s room is painted a Benjamin Moore blue called Lake Placid. Oeuf’s River Full Bed has a built-in bench and the option of adding a trundle bed.
Above: A new bathtub and uplifting Field Tiles in Burnt Sienna and Vanilla Cream from New Terracotta.
Before
Above: From the real estate listing. The floor and fireplace were preserved.
Above: The previous owners installed this extension so the kitchen could be on the parlor level.
Above: The main bedroom was large and unwieldy—but opened to the garden.
Above: Did someone say generic? Removed elements were donated for reuse.
More projects by Shapeless Studio:
